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february 28 2012

Pinterest - The Wonderful World of Pinning and Infringement

written by: Christian Oth

We’ve had a bit of a frenzy here at the studio over the past 24-hours. It came just after we announced the addition of the Pin It button on our website. Initially, we were excited about the new endeavour as I saw great potentiality in Pinterest and the ability to create visual inspiration boards in just a click of a button. However, it was no sooner that we announced it on Twitter and Facebook that we received some rather eyebrow raising information that has made us take a second look at Pinterest and how it effects the rights of creatives.

To begin with, Pinterest was of great intrigue to me. I loved the easy, seamless way you could create inspiration and mood boards; using it myself for photographic, design and food ideas. I mean, how often do you see something on the Internet and think - “Yes, that!” - but have no physical way of saving that inspiration for future inspection? In the old days, one would have torn the page from a magazine or newspaper to store in a folder or scrapbook, but how do you really scrap digitally?

Enter, Pinterest. In it’s initial form, yes, it’s a great platform and stellar idea. As David Pogue of the New York Times said in his recent Review of the site, Pinterest is “refreshing,” in its ad-free, “pure, uncluttered, non-blinky” layout. It has a steady, non-self-promoting vibe of “Wouldn’t this be great?” that is a new concept for public platforms.

However nearly immediately after the “Pin It” Tweets were posted, I  heard from UK-based photographer, Jeff Ascough. He made me aware of some fine details that have caused him and others great concern. Add a simple Google search and you will see that Pinterest has brought about more than a stir amongst several leading photographers and other creatives. It’s that very item that we have been frightened of since the dawn of Facebook, Flickr, Google Images and the untamed Internet landscape at large. Namely; violation of copyrights.

Now, I appreciate the way the Internet works. You post an image, you make it public and it’s not difficult to cut and paste that image to a blog, website or Facebook. Of course, with this in mind, we have instilled the Watermark that I discussed just a couple weeks ago (see post here). It’s my way of embracing the brevity of the Internet, but at the same time saving that precious credit of my colleague’s and my own work. As a matter of fact, watermarking and publishing low-res files is the only way I know of to protect your work on the Internet and I strongly encourage it.

When one of my photos is posted on a blog, it is generally always done with my specific permission, watermark and is appropriately credited and linked back to my site. Clearly the blogger does not own the rights to the image, and are not able to resell the image, they are simply able to use the photographs for their site. This is where the red flags begin to go up around Pinterest.

In the first instance, the site is based around users who are able to pin whatever images they see fit. In the Terms portion, it is stated that the User is solely responsible to contact the artist to obtain the right to post their images. Of course, the actuality of this happening is less than a regular occurrence and as of now there is no real way of this being monitored, causing more and more images to be used without any permission whatsoever. There is neither a screening process in place, nor a viable way of ensuring work is credited or linked. However these images can be pinned and repinned to the several million user’s own satisfaction. This is creating an entire network of photographers, designers, and other creatives who are seeing their work displayed without their knowledge or consent. Additionally, Pinterest’s statement of Ownership and Copyrights, as outlined here, causes much concern as to the sudden change of hand that takes place when your image is used (without any permission) on their site.

There is also much issue around other aspects of their Terms. One in which states that among other facets, by posting content as a member onto their site, you are giving them non-exclusive rights to use, copy, adapt, license, distribute and most worryingly, to sell on the site (click here to read in depth information). With the use of that one word “sell (not to mention license, distribute, adapt and copy),” the whole concept of creating a place for free-content and community inspiration boards is now not only tarred, but the very line of artist’s rights is severely threatened. It is a confusing statement at best, but it is certainly something to be questioned as to the intention of the site and its owners.

The argument continues in the corner of the artists, as Pinterest very clearly states that they themselves are not held responsible for liability due to copyright infringement, yet have created a platform in which they encourage it. Some people are likening it to the former music file share site, Napster.

And just as Napster ended in a massive landslide of lawsuits, there is some serious talk about the possibilities of lawsuits in the very case of Pinterest and the thousands of copyright violators. Even with their longstanding “hands washed” approach to the responsibility of copyrights, there is still a large potential that they would fall under the scrutiny due to their promotion of using images willy-nilly and their non-existent monitoring process.

But then this raises a resounding question in my mind, when and where will all this end? If the Internet itself has changed the very face of the copyright, can we really afford to object to all web-based facilities? What if, instead of boycotting all sites that cross the boundaries that have been laid out to protect us, we encouraged a public movement where respect was at the helm?

Of course, the part of the mutually respected artist lies in the hands of the artists themselves. Very specifically, although boycotting is usually a grand way to get your point across, there should be a communal effort to prevent such things from happening. There should not be cases of artists misrepresenting other artist’s work as their own as in the famous case of photographer, Dina Douglass vs. Shepard Fairey. We should, in essence set a strong example to the layperson on how to appropriately give credit where credit is due on any and all public online forums - from blogs to Facebook and everywhere in between.

For this reason, and very unfortunately, until Pinterest makes changes in the favor of the artists on their website, I will not be participating as a member or be utilizing the Pin It option on my website. Pinterest has the potential to establish a place where people can not only continue to interact and inspire, but also respect that the very work that is doing the inspiring is something special, unique and quantitative of a person’s intrinsic creativity. As an initial fan of Pinterest and the possibilities it invokes, I truly hope that changes can be made so that this public platform can be used appropriately among the masses.

UPDATE MARCH 1:

We have received a great response from all of our readers and colleagues in the creative industry and are happy to be apart of this topic. There has been a very informative article with further information written by the lovely, Rachel Lacour. You can see it here.

 

february 23 2012

Instagram-Ing

written by: Christian Oth

It has to be said that these days you can't walk out the door without seeing one or a hundred people snapping away their life experiences on their smart phones. With the additional inspiration via apps such as Hipstamatic and Instagram, it seems everyone is an instant photographer - not only able to take a cool photo, but able to process it too.

With this in mind, the question often arises on whether the iPhone (and other smart phones) has caused the photography market to be over-saturated therefore threatening the pros. Or more directly, should pro photographers be threatened by iPhones? If you ask me, the answer is a very simple and resounding, no. On the contrary, I've actually totally embraced the movement, taking sides with one of my favorite photographers, Annie Leibovitz, who proclaims the iPhone to be the best "snapshot camera" around. I completely concur.  If you follow us on Twitter, Facebook or even, dare I say it, Instagram, you will see that we keep a common practice of utilizing our camera phones in and about the studio. For those sunrises over the streets of NYC, ornate dinners or snaps from industry events, I will certainly whip out my iPhone 4S for a quick snap & post. As I'm in the profession of documenting life, I think it's a great way to capture life's moments or practice your artistic eye.

Of course, there is a staggering difference between a Professional Photographer and the layperson with iPhone in hand. From technique to pure knowledge of equipment, it's really hard to compare the two. And although you might be able to take a very cute photo of your baby on your iPhone, there is still a very certain something that, say, a children's photographer could produce. There is something that makes a photographer a photographer and, in my opinion, a nifty smart phone won't be able to replace it - no matter how cool the processing apps get.



 - Christian Oth of Christian Oth Studio - Christian Oth of Christian Oth Studio - Christian Oth of Christian Oth Studio

 

february 06 2012

Watermark and the 30% Transparency

written by: Christian Oth
Recently here at the Studio, we made the decision that all photos that get released over the web will have a watermark on them. This is not a new practice by any means. Many photographers, particularly wedding and portrait photographers, have embraced it for some time now. However, there has been some debate about whether or not it is appropriate for all social media platforms. Is the watermark necessary? Or are we just being a bit paranoid?

To begin with, I want to make it clear that this does not apply to photos that get published in a magazine, that go into an album or the hi-res files that we deliver to our clients. Simply to the ones that will be published in one capacity or another on the World Wide Web; whether on our own blog, submissions for other blogs, or web-ready files we send to our clients.

But why the heightened concern? The reality is when having your photos on the internet they become "public territory." They may start out on our blog or another's, such as Style Me Pretty, but the photos are very often re-posted on other blogs, go into inspiration galleries and are found on sites like Pinterest, etc. Although most bloggers & sites are diligent about photo credits, there are some that are not. There has also been a growing number of "Photo Pirates" out there who have used our (and other photographer's) work as their own - which is a mutually harmful practice, both for the original photographer and also for the clients.

As a photographer, I am responsible to my clients. Not only am I entrusted to document their very important day, but also to respect their privacy and identity.  Having a watermark on the image severely lessens the probability of the image being stolen or misappropriated. I say lessens, because the watermark could still be cropped or photoshopped out, but the likelihood is significantly minimized.

With these factors in mind, we moved forward with creating a non-invasive logo that could be watermarked onto the photos without being distracting.  Working with my graphic designer, Victoria Masters, we began the re-designing process. Of course, it took many rounds and many times waffling between round or square designs. In the end, it turned out the final logo would be neither round nor square, but instead square-ish!

In order to meet the challenge of not wanting the logo to take away from the photo or create a visual distraction, we decided against having colors in the logo and kept it as simple as possible. The same principal applied to the decision on the opacity of the watermark. We wanted to avoid the "baked-on" appearance, so we went with a 30% transparency, allowing the watermark to seem more like an embossing (see example below).

Maryam Sepehri and Luis Jimenez - Shawn Connell of Christian Oth StudioMaryam Sepehri and Luis Jimenez - Shawn Connell of Christian Oth StudioMaryam Sepehri and Luis Jimenez - Shawn Connell of Christian Oth Studio

As you can see in the first example above, a full, 100% opacity creates a very visible, very loud watermark which distracts not only the eye, but also creates a harshness to an otherwise gentle image. The second photo is an example of a 50% opacity watermark which is still, in our opinion, too harsh and distracting. The final image is our actual watermark at 30% opacity that is applied to our photos for web-use. The image is as such, undeterred. The composition, gentility and beauty of the image is apparent and unscathed by the watermark, however the image, it's original photographer and client are all in a sense "protected" but not inhibited.

By putting a watermark on an image we also embrace ownership of the photo; a level of quality and pride that is to be expected from us. It is a way of branding that speaks to our level of photography, our attention to detail and our love of our work. It is the same with any other brand out there, be it fashion, cars or stationery. The glorious result of which translates back to the moment when I click the shutter, creating a resounding echo in my head: will it be good enough for the watermark?

 

september 14 2011

Left Brain Vs Right Brain

written by: Christian Oth
So, I thought I’d do a bit of a personal post here. As you can see from the title this is going to be about the creative side versus the logical side and the constant struggle of switching back and forth between the two.

Creating something new is probably the most rewarding human experience for me. It ranks right up there with experiencing genuine love, the pride of an accomplishment, physical well-being and passing life’s milestones with grace and glamour --- even euphoria. It is a very human trait: We conceptualize, design, convert, build and man, just dream stuff up. Often it is the process rather than the finished product that keeps us going. I know this is what drives me --- no, not crazy, but I just love the forward motion.

Now, equally important, there is the left brain: The logical side that keeps everything in balance; it is the side that works with numbers and handles the "reality check". It’s important to give these "mind muscles" a good workout too. 
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There is no doubt that us artists have more of that right brain stuff and like to immerse ourselves in these endeavors. To roam freely, unencumbered and wholly is a certain luxury that very few of us have. It is a wonderful feeling though to take a couple of weeks or months off from the everyday and do something different and new.

A really successful work marriage needs left brainers and right brainers working together and creating an environment of mutual content. Left brainers flourish in the advancement of the purpose, right brainers like to roam free, unencumbered by tax deadlines, payroll and the such.  Successful creatives  find someone capable of handling these important left brain activities and thereby allowing them to create the best of both worlds.

However, when enlisting this help from the lefties, there still remains a solid amount of that left brain stuff  to do. You see, us creatives never like to relinquish control. 
 
So how do I handle it? To be honest, it's a work in progress, but it most certainly starts with a solid team made up of of both disciplines  ....I am lucky to have a lot of help from the left brainers at my studio and other amazing individuals I surround myself with. I have to do an immense amount of it myself too (just getting through email during an average day is a job in itself...). I try to separate my time between both but definitely thrive creatively when I change environments, such as heading out to a photo shoot. 

I would love to hear from you fellow creatives, how do you get a handle on all that lefty stuff?




 

june 14 2011

The Subject's Comfort

written by: Christian Oth
I have been on many photography sets, be it fashion shoots, portraits or entire weddings. An important aspect of any type of people photography is ensuring that your subject is comfortable. 

So the obvious question is how does one create that comfort? It starts with having the right energy at the shoot. This applies to not only the interaction between the subject and the photographer, but also to the surrounding elements and, in many cases, the team that is involved in the shoot.

Another helpful tip is that a photographer should put him/herself into the subject’s shoes. Most subjects get a bit nervous and self-conscious in front of a camera. Put your subject at ease in every possible way - crack jokes, talk to them about their family, anything that you think will put them in a positive, fun space. 

It goes without saying that having great people skills goes along way when there is a direct interaction with a subject, such as during a portrait shoot or photographing a wedding couple, but it’s equally important is that the setting has the right ambiance. Music is one of the greatest tools for a fashion or portrait shoot. There is nothing like it, especially when in the studio. 

Above all, I’d have to say that the #1 element for a shoot that is that everyone involved has a real positive attitude, is inspired and just really like-able. 

I would love to hear from you, fellow photographers, how you take the “edge” off during a shoot?    
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The above image is of Gary Shteyngart, who I photographed for the New York Times Magazine (who incidentally brought a lot of good energy himself to the shoot)

 

june 13 2011

Job description: Photographer

written by: Christian Oth

MARKETING

I’ve often put forth my thoughts on the different components necessary to be successful photographer. (By success, I’m primarily focusing on a photographer who makes a living with their work.) Well, let’s talk about this for a second. If I had to dissect and discern the elements that comprise success in a photographer, I would have to focus on the following four:

A photographer needs to be:

1.    talented
2.    technologically savvy
3.    very organized
4.    a great marketer

Of these four, the most common trait in successful photographers is that, right after having incredible talent, that they’re very good at marketing themselves. But not everyone has that latter skill.

There are those who are simply talented. These folks can be more introverted in personality but are also just really amazing at what they do. Raw talent. What about those individuals?

In an ideal world marketing shouldn't be part of an artist's job description. These artists are so good that the world around them just flocks to them in appreciation of their talent. Well, not so. The reality is that a photographer's work needs to be championed to the masses or at least brought before the right decision-makers. It's this kind of left brain work that is the job territory of artist's reps or agencies.

But, ultimately the success of a photographer is determined by his/her ability to balance the four elements whether he/she seeks assistance with the marketing bit or not.

Tomorrow I'll discuss something related to the Photographer's Job Description:  “The Subject’s Comfort”. Stay tuned...

 

april 07 2011

Pro?

written by: Christian Oth

What defines a professional photographer?

Education is usually the first thing that comes to mind whenever one gets considered a professional. Industry acceptance is another. Lawyers must pass the bar exam before being able to practice. Social workers need to be licensed. What then is the equivalent in the photography industry?

Not an easy answer. I have seen many pros that never had a photography education, yet are widely successful. Then, there are many “graduates” that could never make it. The photography field is very competitive after all. 

In my experience, the common denominator among professional photographers is commitment. Yes, it’s a fun job but a pro approaches it seriously, with thought, dedication and passion. The product is a balance between reliable results for the client and the artistic edge that inspires. Pros can be called upon to deliver and they will.

Seaninaction

Pros go the extra mile to get that one amazing shot. It's not coincidence, it's instinct laced with experience. It's thinking ahead, being prepared and knowing your subject matter really well.

 

february 23 2011

Real People vs. Celebs

written by: Christian Oth

Let’s face it, most of us Earthlings aren’t standing in front of the camera day in day out. Being comfortable and camera-savvy is usually privy to those that make a living from it or are in the limelight in one fashion or another. Lady Gaga, here’s looking at you --- and by the way, your latest song does sound like Madonna, but I digress…

Warm up

Obviously, there is a different set of challenges involved in photographing real people vs actors or models that are used to the camera.  In order to get that camera novice to look like a Hollywood Starlet I find that there is a good warm-up period during which the subject will slowly get at ease with the camera, even forget it is there. This getting-used-to-the-camera technique largely pretty much is in the photographer’s court.

Communication

I tend to let my subjects know what I’m after at the very beginning of the shoot. For engagement shoots it’s important for me to show what the couple is really about. Usually we have talked on the phone before and I find out a bit about them… sometimes we use certain props, a specific location, or a certain style.

The Dance

After that it’s simply important to make the shoot flow. Don’t let the music stop… Literally --- if it’s a studio shoot. If it’s a location or street shoot, I avoid long stretches of time where nothing happens.

The Pros

And what happens when I photograph actors and models? Well, at times you got to deal with some larger personas as with celebrities, and other logistical issues (they’re always late, entourages, etc…) However, the immediate benefit is that they tend to know their angles. But, I just love it when I can make someone look like a celebrity.

 

february 21 2011

P for Professional

written by: Christian Oth

Most cameras have a “P” setting. It stands for “program mode”. It just means that the camera will automatically choose the right blend of Aperture and Speed, mostly avoiding camera shake when the light is low.  Most professional photographers normally shoot in the manual mode or the Aperture priority mode. However, when a situation changes quickly the “P” mode can mean all the difference between getting that precious moment or not. On my camera I have a customized button that when pressed will instantly change to the “P” mode. We affectionately call it :  "P for Professional"

 

february 14 2011

Happy Valentines Day!

written by: Christian Oth

Our designer at the studio, Lisa had a look into the origins of Valentine's Day and this is what she found:

"One of the stories beind the reasons for how Valentine's Day started comes the time of the Roman Empire. In ancient Rome, February 14th was a holiday to honour Juno. Juno was the Queen of the Roman Gods and Goddesses. The Romans also knew her as the Goddess of women and marriage. The following day, February 15th, began the Feast of Lupercalia.

Young boys and girls lived strictly separate lives. One of the customs was name drawing. On the eve of the festival of Lupercalia the names of Roman girls were written on slips of paper and placed into jars. Each young man would draw a girl's name from the jar and would then be partners for the duration of the festival with the girl whom he chose. Sometimes the pairing of the children lasted an entire year, and often, they would fall in love and would later marry."

Happy Valentines Day all!

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february 09 2011

FILM VS DIGITAL

written by: Christian Oth

Will not be discussed here.

The fact that some photographers tout one over the other is a distraction from the actual work. Both are beautiful if well executed. Both are ugly if in incompetent hands.

Technology is and always has been an essential part of photography. So has chemistry. Great work has been accomplished with Daguerrotypes, Cyanotypes, Palladium prints, negatives, Polaroid cameras, Leicas, Hasselblads, Nikons, Canons and Phase One Digital Backs. Whether the print is done under a Beseler enlarger or printed out on a high end Epson on sugar cane paper - it’s the final image reproduced on the appropriate medium that matters.

 

february 02 2011

Street Photography

written by: Christian Oth

Street photography and the internet have contributed a great deal to the evolution of wedding photography.  The popularity of street photography in recent years and the ability to upload photographs to websites and blogs in a matter of minutes has put a strong emphasis on capturing real, truthful moments, rather than creating a photograph that is too “picture perfect”, so to speak.  Traditional wedding photography involved posed photographs against a fairly neutral background that could have been anywhere.  But within the past five years, photo blogs and websites that feature street photography--quick, realistic of-the-moment photographs--have tapped into a growing desire among couples and photographers alike for more contextual photographs that inspire real emotional connection.


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When I first got started, I was one of a handful of photographers that embraced photojournalism as the main genre. I quickly learned to blend in fashion photography, still-life and fine art photography to record a wedding not only for it's events, but beauty and style.  I had previous experience in each of these fields, and realized that in order to create meaningful wedding photographs that connected with people I had to take elements from each specialty.  With this combination of styles I could create beautiful artistic photographs that really told the full story--who, what, where and when--of each event.  Like street photography, this new narrative became a real and honest way of photographing weddings.


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Today is truly an inspiring time, both on the professional and amateur level as I find that the public at large is far more educated about photography than in previous years. The visual bombardment on websites and blogs has certainly contributed to this higher standard in photography. Social media along with greater transparency and accountability in all walks of life has also raised this desire of having real, honest, yet artistic photographs. A true blessing for couples.


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january 26 2011

The Shape of Things

written by: Christian Oth

A photograph shares similarities with an impressionist painting--it can be indexical or suggestive of an idea or subject that the photographer wants to highlight.  Focusing on the shape of an image can be a beautiful and interesting way to offer an impression of a subject, instead of taking a more straight-forward and obvious shot.     

For example, if you’ve ever made shadows on a wall with your hand, you know that sometimes the suggestion of a shape is more visually interesting than the thing itself.  As a photographer, it’s necessary to pay attention to light, and as a result I always notice shadows that could be distracting in a photograph.  However, sometimes making the shadow the subject of the photograph can create a dramatic and intriguing impression of a person or object.  A silhouette of a bride can be very striking because the shape of the veil, profile and gown are instantly recognizable.  Taking texture and form out of the picture isolates the shape, and creates a very powerful yet simple image.  Similarly, including shadows cast by the subjects can give the image an introspective or reflective quality, and heighten the significance of the action taking place in the photograph.  It’s important to look for different view points that reflect your unique take on something familiar.
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january 05 2011

Observe and Predict

written by: Christian Oth

A photograph is in many ways a combination of keen observation and imagination on the part of the photographer.  Great photographs are not only a reflection of the events or objects/ subjects a photographer is seeing, they also tend to be a result of the photographer’s relationship to the subject.  

A photographer needs to be tuned into what is important to or about the subject--who they are, what they are doing, and how they want to be perceived.  When photographing a dynamic event, these observations often have to be made very quickly in order to catch the subject at just the right moment.  It’s similar to the role of a film director interpreting a character, only the action is happening in real time so decisions about what to focus on must happen in an instant.  It helps if you have the opportunity to get to know your subject before an event- having a great rapport helps immensely. That’s why I always encourage couples to schedule an engagement shoot before their wedding.

At the same time, the photographer is also interpreting what they are seeing and creating their own unique perspective on the subject.  Photographs used to be thought of as a strict documentation of reality, but in fact, how a subject is portrayed has always been dependent on the photographer’s interpretation.  Being creative in photography often means taking something familiar and showing it in a different light.  This is where the photographer’s eye comes in.


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photo by Mike Falco

 

december 08 2010

Being Creative

written by: Christian Oth

I feel lucky to work in a creative field.  For me, as well as for many other individuals that I know and work with, being creative is one of the most satisfying things in life because it generates a sense of purpose and self-worth.  I love to create new pictures instead of rehashing old shots because I feel as though I’ve done something worthwhile and meaningful.  People in all fields are motivated by the need to create--the architect who views a hillside and envisions a blue print, or the surgeon who invents a new procedure to save a life, for example.  The act of creating something new that didn’t exist before is an incredibly euphoric feeling, and when it touches other people’s lives it makes it that much more important.  

Admittedly, being creative is a selfish pursuit, but the end result of creativity is that it has the potential to improve others’ lives as well.  Amazing inventions and revolutionary ideas have been developed in many fields based on the human desire and need to create.  But simply having great ideas isn’t enough--sometimes it takes a lot of discipline to act on a new idea that might initially face resistance or challenges.  Walking into a familiar situation and discovering something new is one of the most rewarding experiences in life, and I am grateful to be in a field where I can be creative (almost) every day.


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The above image is definitely a bit away from the mold. I shot this late at a wedding after I had done everything else. I felt I needed to get just one more shot that I hadn't seen before. So I started walking around and looked for unusual perspectives. It helps when I put the camera down and just start seeing. When I got to the back of the venue (the University Club in New York) I saw the row of candles and people dancing. I picked up a telephoto lens and compressed the 2 layers of people dancing and the candles. What makes the image so dramatic was the lighting that I set up before to photograph everyone dancing. In this instance it produced a beautiful sidelight from both sides.

 

december 01 2010

Juxtaposition

written by: Christian Oth

Today's post is a big word for a fairly simple concept.  Juxtaposition is a term that was thrown around a lot when I studied at the International Center of Photography (back when...).

Simply put, it means placing complimentary or contrasting images next to each other to add significance and impact.  A single image should be interesting on it's own, but when it is strategically placed next to another image it should create an even greater impact. Detail shots of flowers or table settings are beautiful individually, but they take on new meaning when thoughtfully placed next to images of the bridesmaids' color-coordinated dresses or the guests enjoying the meal.  

At the studio, that means that our photo editors have to take a critical approach to selecting images that create an interesting narrative when placed side by side.  Thoughtful juxtaposition builds relationships between a collection of images, creating an impression or "bigger picture" of the whole event.  For once-in-a-lifetime events, creating powerful juxtaposition is essential because the images should represent the deep significance of the occasion. 

For the photographer this means being aware of what the editor needs in order to make these collections "sing".

 

Christianothstudio-l02b

 

november 17 2010

The Test of Time

written by: Christian Oth

I believe a  talented photographer should be able to capture beautiful photographs without using trendy processing or editing techniques in the studio that will date them down the road.  These techniques applied after the fact are often used to distract from sub-par photography--i.e. the inability to frame a subject resulting in a cluttered image, incorrect exposure, or creating manufactured moments that don’t reflect the true meaning of the day.  If you’re shopping around for a photographer take a close look at how the photographer is able to use natural light sources to accentuate the subject of the photographs, and their creative ability to use framing and focus to draw your eye to the subject.  A great photograph should still be able to communicate the same feeling to the viewer twenty years later as it did on the wedding day.  


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The above image was recently shot by Shawn Connell. It's a fairly simple image, but what I love about it that nothing in this image gives away the date of when the picture was taken. It could have been shot in the 60’s. It's for some odd reason one of my favorite photographs.

 

november 10 2010

Photography Reduced

written by: Christian Oth

What is a Photograph?

Aside from it’s physical properties, a photograph is a record in time, no matter what the subject is.  It is a still image of a moving world, and it is visual proof of a certain moment or occurrence.  A photograph is a record of the world as it unfolds before us, and it serves as a slice of time stopped along a continuous timeline.  

Photographs can be evidence that something has occurred, however they are also subject to the visual interpretation of the photographer.  After all, the photographer decides where to point the camera, and what to or not to include in the photograph.  It is the reality of the situation as seen by the photographer, so keeping that perspective in mind is always important, whether you are looking at the image for documentary purposes or it's artistic qualities.  Because a photograph is a permanent medium that has the ability to capture a moment in time or a fraction of someone’s life, it can feel both timeless and nostalgic at once.

Definitely for me, the most compelling suit in photography is how it serves in preserving memories... or rather life's experiences. It's that quality that has intrinsic value to individuals, familes and/or friends in a social setting to define their life's path...

 

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october 06 2010

I am not a Wedding Photographer

written by: Christian Oth

...Well, at least that's what I think.  In the many years that I have been a professional photographer, I have gained a great deal of experience in all areas of photography. With regards to wedding photography, I have always strived to have a very different approach from the get-go.

You may disagree with me after having shot so many weddings, combined with running a New York studio that specializes in wedding photography. One could even say that I've become a wedding photographer by virtue.  But I like to think of myself simply as a professional photographer.  Don't get me wrong--I love photographing weddings. Being invited to capture and preserve the most memorable day of many couple's lives together is something I cherish and feel honored to be a part of. However, I deeply value being able to look outside of weddings as well, and draw my influences and inspiration from the professional realm in photography.

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There is a level of excellence in the profesional world of photography that is required and even expected. Becoming a professional photographer is a challenging career path to embark on as one needs to be creative, resourceful and simply better than the next guy. Most photographers start out as assistants which gives them access to all sorts of glamorous fashion & celebrity shoots etc. There is a level of discipline in this world, especially amongst all the supporting staff that is unparalleled and inspiring.

Looking to other amazing photographers in all areas of interest inspires me to incorporate some of the new techniques, styles and technology into the weddings that I shoot. I always admire the works of great established photographers. But new talent is constantly emerging as well, and in order to stay relevant and fresh, it's important for photographers to look at the most recent photo trends in industry magazines like Photo District News, attend museum and gallery openings and simply draw inspiration from other forms of art.

Sometimes I don't even need to leave my studio to see some of the most influential photo shoots. I am constantly impressed with the photographers that I work with, because each of them brings something different to the table. When we get together for our creative meetings, we all have new and interesting experiences with photography to share with one another.

And to update the above: I am not "just" a wedding photographer.

I just love what I do.

 

october 04 2010

South Pacific Whales by Shawn Connell

written by: Christian Oth

Last week I began a new series highlighting some of our photographers’ fine art work outside of the studio, and today I want to bring you some remarkable photographs from Shawn Connell.  Shawn grew up and began his career as a photographer in Australia, and he has always had an interest in nature and the sea.  One of his greatest career accomplishments is the photo series below that he shot of South Pacific whales.  Coming from a background in photojournalism, Shawn had the experience, patience and talent to capture the movements of these playful creatures at just the right moments.  His ability to find and frame beautiful rays of sunlight underwater accentuates the grace and natural allure of the whales as they interact with one another and surface for air.  Capturing these extraordinary photographs was truly an exercise in observation and watching for the right moment.  As Shawn puts it, “If you get a happy, playful whale, full sun and crystal clear water you’ve got a chance for a great shot.  But that could be only two or three days out of sixty days of trying!”.

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Click here to view Shawn’s bio and wedding portfolio.

 

september 29 2010

Personality

written by: Christian Oth

At the risk of stating the obvious I want to say it here: Having a photographer that you genuinely get along with can have an enormous impact on the quality of your photographs.

Think about it: your photographer is the person that you will be spending a lot of time with on the most glamorous day of your life, so are you are trusting them to make you feel comfortable in front of the camera?  You should ask yourself “Are they a positive person?  Do I enjoy their company?  If I met this person casually, would I want to be friends with them?”.

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The photographer’s personality is important whenever real people are involved.  Again, this is pretty obvious stuff, but it can get overlooked!  Still-life photographers don't have to be people people - doesn't matter if they have a sunny personality --their subjects tend to be objects.  Similarly, fashion photographers need to rather have the ability to network with clients and industry people, however on the set, when working with a good model, stylist and hair and makeup, the job is 3/4 done.


The reason it is so important to make sure your photographer is the right personality fit for you is that, without even realizing it, your expressions on camera will reflect your photographer’s.  Not only are they looking at you through the camera, but you are looking back at them and reflecting their mood and energy.  If you and your photographer share a sense of humor, that will show in your photographs.  If your photographer is very serious and has a nervous energy it not only makes the resulting photographs boring - you're having a miserable time doing it.  Ideally, your photographer should make you feel comfortable and at ease, so that you look natural and happy in your photographs.  By being a warm presence in the room, a photographer can be the very cause of a great expression in a photograph.  When your photographer’s personality is a great fit for yours, it will bring out the best of you in your photographs.

 

september 27 2010

Keeping it Fresh - Spotlight on Carolyn Monastra

written by: Christian Oth

On Friday I posted some behind-the-scenes shots and additional photos I did with Phil Collins for the New York Times Magazine, and today would like to continue this thread and showcase some of the excellent work that our photographers here at the studio are producing. We largely feature weddings here, but it's nice to see what other projects my photographers are working on.  It’s important that as professional photographers, each of us has our own interests and special talents outside of shooting weddings--it’s what makes us different and gives us a fresh perspective as photographers.  So today I'd like to feature Carolyn Monastra, who is a Fine Art Photographer in her own right.

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"The Ice House"

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"The Cornfield"

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"Sol"

Carolyn's work will be exhibited at the Susan Eley Fine Art Gallery later this fall as well as in Pingyao, China.

Be sure to check out Carolyn's Fine art website here

or see her wedding portfolio and bio here

 

september 15 2010

When It Rains, It Shines

written by: Christian Oth

The prospect of rain on your wedding day strikes fear in most brides--the symptoms include sweaty palms and obsessively updating the weather channel website every few minutes in hopes that the forecast will change.  However, not all hope should be lost if stubborn rain clouds won’t budge.  There is a silver lining--a rainy wedding day can often result in some of the best wedding photographs.

One reason to be glad for a little cloud cover--or even rain--is that it creates a soft, diffuse light that translates to beautiful, romantic photographs.  A sunny day is great for a lot of activities, but harsh sunlight can be very unflattering because, especially during the noonday sun it creates harsh shadows under facial features.  On a your wedding day, it can be beneficial to have clouds or light rain because the light will be optimal for photographing people, and the environment will reflect a dewey, fresh quality.  For example, a New York City street actually looks better in photographs when it is slick and wet.  It shines and creates beautiful reflections in the photographs.  If you’re having a more rustic affair, rain drops on leaves and grass also look refreshing and bright.
071020pugjan0034aPhotoj_0028Photoj_0015Ali0009Another benefit to a little rain is that it allows for some creative, fun shots.  After all, you’ll need some props to keep you dry, and think about all of the fun things you can do with an umbrella!  Umbrellas are great for framing faces, and it’s always romantic to share one.  It can also be used intentionally as a privacy screen to create those whimsical kissing-behind-the-umbrella shots.  If you do decide to use umbrellas though, make sure to be prepared with lots of umbrellas for your wedding party and guests that all match.  The best choice is to go with either all-black umbrellas or all-white ones.  Stay away from busy patterns, mixed colors or logos--they only add clutter and confusion to the photographs. Some exceptions apply though, especially when you have the color of the umbrella match the flowers.30_090829huaqia

090613demmol0100090523leheve0116080927mcgvic0040If the forecast is cloudy or rainy for your wedding day don’t sweat it.  Instead, know that you can look forward to getting great great photographs of your big day.100313schmeg0062

 

september 08 2010

Is It Vain To Ask For Portraits Of Yourself?

written by: Christian Oth

 

It’s a situation that I’ve been in many times before--I am on the phone with a bride discussing which shots she wants for her wedding.  We go through all of the family members and the wedding party, and then there’s a long pause, and I can almost hear her blushing over the phone as she asks “Can you take some portraits of just me?”.  It’s a completely reasonable request, yet many brides feel as though they are being vain by asking for beautiful portraits of themselves.  Today’s post is for all of those brides who feel bashful--always ask for great fashion photographs of yourself, you won’t regret it.

 

EMBRACE THE MOMENT

Getting married is a rite of passage.  The whole process--from getting hair and makeup done, putting your wedding gown on, and being photographed by a professional photographer--is part of that rite.  As a bride, you deserve to have beautiful portraits of yourself.  It is one of the few times in most people’s adult lives that they have the opportunity to hire a skilled photographer to document their day. Your wedding day is a pivotal moment in your life, so your photographs should reflect your personality and emotion.  They should be a visual representation of who you are.  Rather than thinking of having your portrait taken as vain, brides should embrace it wholeheartedly and enjoy their moment in the spotlight.  Finding a skilled photographer that you trust will make it easy to have fun and relax while getting great portraits.

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ASK TO SEE A PORTFOLIO

A professional wedding photographer’s talent lies in bringing out positive energy and finding the camera angles that are the most flattering to you.  But how can you trust that your photographer will be able to capture every beautiful moment on your wedding day?  Brides should always ask to see a photographer’s portfolio before hiring them.  There are good and bad photographers out there, so the key to making sure you hire the right one is carefully evaluating their previous photographs from real weddings to see if they have examples of the type of shots you want of yourself.  Some of the most beautiful portraits of brides have been captured when the bride was unaware of the camera, so check to make sure your photographer has examples of beautiful candid shots of brides as well.

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When you are viewing a photographer’s fashion portraits, it’s important to make sure that the photographs are of real brides, rather than models.  It’s easy to photograph models, but the really talented photographers are able to capture the same kind of beautiful fashion photographs of someone who is not in front of a camera everyday.  If a photographer only has portraits of models, it should be a warning signal that they might not have experience creating fashion photographs with real brides, and it’s just not worth the risk.

In closing, know you are not vain asking for portraits of yourself.  It’s the perfect opportunity to get great photographs that will last more than a lifetime.  And, having a skilled photographer will guarantee that you look your best.

 

may 04 2010

The Moment

written by: Christian Oth

Photography, in it's very essence is about the moment.  It's a record of time, a split second image of what transpired; the where/when/what. Photojournalism and wedding photography best utilize this documentary approach. 

Henri Cartier Bresson coined the phrase "The Decisive Moment". He was the true master of catching that instant.

Henri-cartier-bresson_decisive_moment

The above image is one of my all-time favorites.  Examine how the heel of the shoe is a mere inch above the reflection in the water.  Bresson was taking these images with a Leica, he possessed an uncanny ability to click the shutter at the precise moment considering the technology at the time.

 

march 30 2010

The Assault of the Amateur

written by: Christian Oth

The New York Times posted an article about how photography is on a shrinking path. It is an interesting assessment of the state of assignment photography, but as far as the aesthetics of photography go, I couldn't disagree more. It has never been easy to 'make it' in photography and the fact that the commercial/editorial landscape has shifted and is undermined by amateurs is nothing new to an ever-evolving industry.

Landing a career in photography is not as easy as just going to college, building a portfolio and, poof you have a career. The photography world is saturated, one has to be not only talented but also extremely hard-working and savvy to have a fighting chance at making this a career. The failure rate has always been enormous. This is nothing new.

What IS new, as the article says, is that the amateurs are undercutting pro photography. But what the article doesn't mention is that the consumption of photography has also increased tenfold.

Verite06photo by Michael Falco

 

We live in a much more media-rich visual world. It is a well-known fact that people just don't read anymore. Everything nowadays is supplemented with media. There are simply different opportunities out there, than the traditional assignment photography business model.

I would also like to make the statement that photography has never been this good, especially in the wedding world. The pros on the top end of the market have gotten so remarkable, and I simply relish the fact that wedding photography has been elevated to these incredible heights in our little niche.

This has also opened up incredible opportunities for the pros out there who are truly talented: the average couple has now a much higher appreciation for photography than, say 10 years ago. It is absolutely incredible what is happening in the industry right now in terms of aesthetics and vision. The growth of really good, stimulating photography has been enormous. 

Weddings nowadays have become such incredible visual feasts. Anyone who hires an amateur for their wedding is simply rolling the dice.

 

Read the New York Times Article here

 

march 09 2010

The Creative Meeting

written by: Christian Oth

Last week we had our first creative meeting for this year. This is where we meet and exchange ideas, discuss trends in photography and give each other feedback on our work.

These meetings are incredibly valuable to us at the studio and we learn tremendously from each other. My studio staff from album designers, photo editors, the studio manager, and our photographers all sit down together as we hear from the editors which shots work and which to omit. Like this we can constantly hone our skills and update our style. A great part of the meeting is viewing each other’s recent work and discussing how the photo was taken and this is where we can learn new tricks that a photographer might have discovered. Seeing everyone’s work is inspiring for the whole team and creates a great creative energy. This is also a time to address any feedback we get from our clients. I like to make sure everyone is aware of any and all comments we receive at the studio.

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This time around a big topic of discussion was detail shots. Apart from photojournalism we like to get incredible still-lifes. With weddings being more and more creative these days the details create some really interesting shots. In a book they can pull the whole feeling of the wedding together.
 
Being able to sit in a room with a team of like-minded professionals that all share the same enthusiasm for their work is an exhilarating experience and I believe these meetings are integral for a creative business to thrive.

 

february 23 2010

The Unforgiving Camera

written by: Christian Oth

About two weeks ago I posted an article expressing my opinion on the ethics of retouching. In it I expressly declared that when delivering photos in a news context it’s not right to alter the images. As a daily consumer of news, like most of us, I have to be able to trust what is in these photos IS the real thing, unaltered.

After going live with the post, my in-house photo editor asked me if I was sure about having such a strong opinion on retouching? "Of course", I replied, and she proceeded to remind me of how much "post" imaging work we do at the studio. Believe me it is no small amount.

Being Creative

There is a fine line where image alteration and photography as a medium, blend. Image retouching by definition means either the "correction" or the "enhancement" of a photograph or the subject(s) within. You can call it "manipulation" or just an artist "creating". James Cameron's Avatar was created solely on manipulating photos/videos and it is being heralded as a breakthrough in technology.  To me this is artistic creation, not so much when it is shaving off some lbs here or there and hiding less-than-perfect skin. 

Retouching is controversial worldwide, even celebrities are coming out saying they are unhappy with how much their images are altered. Lets face it, almost every picture is going to get retouched and it is what my clients expect of my studio and we are happy to do it.... to a degree. The point of contention comes with the amount of image altering that happens. 

As a photographer I am out there, taking pictures recording a very real world. Photography in its fundamental nature does that, and the camera can be unforgiving. However before a photo is ever even taken the photographer makes several creative choices and this will likely alter the outcome of the photo. Just properly lighting a shot takes years to master. 

For Example:

Where do I point the camera?

Do I walk around the subject to be photographed and change the background and therefore the context entirely?

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Do I apply a shallow depth of field, thereby throwing most everything except a choice area out of focus?

Do I use the existing lighting or do I alter it?

The Manipulators

Let's pause for a moment and give applause to a certain trade, the actual retouchers! I know quite a few, they usually operate in relative anonymity only known to a handful of photographers and magazine editors. There are some real artists out there in our particular niche. They provide an incredible service to our community and are the ones that "perfect" the photograph. They are very skilled in their work and deserve some credit.

I watched a short video piece on the NY Times site on retouching it was suggested that magazines should list the retouchers right alongside with the photographers, makeup artists, stylist, and so on. In certain circumstances that might be appropriate, especially most magazine covers. 

The question is not, to retouch or not to retouch, but more when and how much is acceptable?

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february 10 2010

Brad Pitt and Iranian Missiles

written by: Christian Oth

Ever since photographers were forced to move from the darkroom to the computer a whole new plethora of image manipulation has become commonplace. Sure, there is a whole new skill set that has evolved over the past couple of decades and there is a lot of extremely well done retouching done. As a society we have to realize that we are now more than ever being visually subjected to certain ideals that don't exist in the real world.

Brad Pitt

The camera is a machine without feeling or opinion and we believe it is a tool to portray the truth. Society as a whole has learned that this is no longer the case. Practically every image you see has been altered in some form. We need to ask ourselves where to draw the line in digital retouching. *My philosophy? Light retouching, yes. In a news context, no* When you change the original intent of the photo, retouching has gone too far. Altering images in photojournalism is an example of where the magic of Photoshop crosses an ethical line and heats up the retouching debate. Photojournalism has long been regarded as being truthful. The images we see in the papers, television, and online that are considered journalistic we tend not to question their integrity. These days we are seeing more and more cases where these newsworthy images are being doctored. This in turn changes how the public trusts this profession and makes the professionals question the business they got into. Below are images that came out in the Daily Mail UK about how Iran had altered this photo to conceal that a missile had failed during a test. You can see in the second image they added the failed missile, according to the Daily Mail it was to make sure not to show weakness.

To read the full article click [here](http://www.dailymail.co.uk/news/worldnews/article-1033966/Pictured-How-Iran-doctored-photographs-hide-missile-failed-work.html) We all know by now there is tons and tons of retouching happening in magazines especially in the fashion world, I will write a whole other post on this and what is happening in France with their effort to change this. Today I want to talk about Brad Pitt’s cover of W magazine where the amazingly talented Chuck Close shot several close ups photos for the feature. NO retouching was done, on the insistence of Brad Pitt. Now he is a handsome man, and I have to say this would be easier for men than women. But I do have to point out that it was a rare and brave move for an actor in Hollywood.

 

january 12 2010

Standards in Photography + Aesthetics

written by: Christian Oth

Time to stand up for what I believe in, before other voices drown the best intentions out. You may be wondering why I’m creating a blog so late in the game of 2009. Especially a blog that stands up for great work – not only in the realm of photography, but also aesthetics and tastemakers in all fields, from around the world. Recent interactions with the Christian Oth Studio brand online have made it clear that I need to represent the Studio, supported by my name and reputation, but this goes far beyond just my name above the door. Christian Oth Studio was founded on an idea, an ideal to become the standard-setter in wedding photography, and to a point, we’ve achieved that. It was incredibly humbling when I was named one of the “Ten Best Photographers in the World” by Photo District News in 2007. I was floored by the news. An achievement of recognition after five years of hard work redefining wedding photography with fresh narrative. A triumph. Yet with challenges that raise the bar ever higher…. And such accolades I didn’t achieve on my own. In fact, all the people who have joined the Studio also believe in setting industry standards. We are all in pursuit of a level of excellence that is legendary. Every photographer here explores new approaches to deliver revolutionary work.

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Going forward, we’re taking this quest to improve to the next level. Across every aspect of our work, our relationships and with every client or subject. Christian Oth Studio will come to mean stellar photographic work – for events, weddings or any photojournalistic, action, or fine arts photography or for any editorial purpose. We stand behind all of our work, which includes the linear thread through all of our influences, education, experience and technique, to always go beyond, delivering fresh shots that are memorable pieces of art. Stay tuned as we turn up the dial on Christian Oth Studio….Many, many more ideas, opinions and straight talk about Photography to come. Welcome to the BIGGER PICTURE of Christian Oth Studio. Christian Oth

 

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